缅北禁地

I am an art historian specializing in contemporary art. My research interests evolved over time to include interchanges between art and intellectual ideas, trans-national identity, cultural memory and, most recently, ecology. My current research is broadly concerned with the role of visual culture in shaping a cultural response to current environmental crises, and is specifically directed at analysing the representations of landscapes through an ecocritical framework.

A graduate of the University of Cambridge (BA, MPhil, PhD), I have an interdisciplinary training in art history, philosophy and literature. Prior to coming to 缅北禁地 in 2023 I have been a recipient of a Marie Skłodowska-Curie Individual Research Fellowship at the University of Vienna, and postdoctoral fellowships at the University of Warwick and Humboldt University of Berlin. Previously, I have held a curatorial post at Tate Britain and Tate Modern. My research has been supported by EU’s Horizon 2020 and the AHRC in the UK, and I have been a visiting researcher at the The National Institute for Art History (INHA) in Paris and Ca’ Foscari University in Venice.

I am affiliated with at Ca' Foscari University, Venice, and at the University of Warwick, which I helped to establish. I am the co-founder of , an AHRC-funded network of scholars and artists working with photography, which collaborated on projects such as Either/And. This has been one of the projects that I developed with an aim of engaging wider audiences, alongside curatorial and public programme events developed in partnership with museums, galleries and arts organisations including the Photographers’ Gallery, National Media Museum, and Paris Photo. I am on the editorial board of journal (France) and write for art press.

The main thread connecting different topics in my research is a search for narratives of identity and belonging that are attuned to the realities of the globally connected world we inhabit today. This agenda has been undoubtedly shaped by my experiences as a former stateless person and an immigrant.

My first book, , is the first English-language history of contemporary photography in France (Leuven University Press, 2022). It contributes to the ongoing endeavors to further expand global histories of photography by positioning photographic practices within historical, cultural and above all intellectual events that defined French national experience in the contemporary period. The book received praise as 'open new perspectives in global media historiographies' and has been awarded publication grants from the Österreichische Forschungsgemeinschaft and Association for Art History.

Currently I am at work on two major projects. Landscape is the focus of my first project, directed at analysing the representations of landscapes in contemporary art, with a particular emphasis on new media, using ecocritical analysis as method. The wider aim of this interdisciplinary project is to establish a theoretical and aesthetic meeting point for art historical study and the burgeoning concentration of research in environmental humanities.

Alongside this, I am collaborating with Andrew Patrizio (University of Edinburgh) on an edited volume 'Towards Ecocritical Art History: Methods and Practices.' This emerged from series of held in 2021-2022 with an aim of identifying methodological tools that will facilitate the work of art historians engaged with the issues of environmental interrelations.

• Articles

  • Smith,O. . Moving Image Review & Art Journal (MIRAJ) 2022, 11(1), 34-53.
  • Smith O. . MAST: The Journal of Media Art Study and Theory 2021, 2(1), 113-131.
  • Smith O, Gusejnova D. Fotografie des letzten sowjetischen Jahrzehnts. Boris Michajlov als Auto-Phänomenologe der Stagnationszeit. Fotogeschichte 2015, 136(35). In Preparation.

• Authored Book

  • Smith O. . Leuven: Leuven University Press, 2022.

• Book Chapters

  • Smith O. . In: Arena G; Caneve M, ed. Calamita/à an investigation into the Vajont catastrophe. Amsterdam: FW Books, 2024, pp.512.
  • Smith O. . In: Levin B; Schönegg K, ed. Image Ecology. Leipzig: Spector Books, 2023.
  • Smith O. Interview with Olga Smith. In: Soutter, L; Woolridge, D, ed. Writer Conversations. London: 1000 Words, 2023, pp.144. In Preparation.
  • Smith O. Décentrer la perspective humaine: Le paysage dans l’Anthropocène. In: Méaux, D; Tichit, J, ed. Arts Contemporains et Anthropocène. Paris: Hermann, 2022, pp.256. In Preparation.
  • Smith O. Climate Migration. In: Baldacci, C; Omodeo, P; Bassi, S, ed. Venice and the Anthropocene: An Ecocritical Guide. Venice: Wetland Books, 2022. In Preparation.
  • Smith O. Dafna Talmor: Manipulated Landscapes. In: Talmor, D, ed. Constructed Landscapes. Amsterdam: FW Books, 2020, pp.210.
  • Smith O. Dafna Talmor: Constructed Landscapes, Cloud Negatives. In: Dafna Talmor, ed. Dafna Talmor: Constructed Landscapes. London: Loose Joints, 2017, pp.210. In Preparation.
  • Smith O. Plaines et platitudes: les réinventions du paysage photographique dans l’œuvre de Jean-Marc Bustamante et Joachim Brohm. In: Frangne, P-H; Limido, P, ed. Les inventions photographiques du paysage, du XIXe siècle à nos jours. Rennes: Presses Universitaires de Rennes, 2016. In Preparation.
  • Smith O. Pierre Huyghe’s travels with Edgar Allan Poe. In: Brincken, J; Gröbel, U; Schulzki, I, ed. Fictions/Realities. New Forms and Interactions. München: Martin Meidenbauer, 2012. In Preparation.
  • Smith O. Hoaxer’s voyage: Pierre Huyghe’s A Journey that wasn’t. In: Mathias, M; O’Sullivan, M; Vorstman, R, ed. Display and Disguise. Bern: Peter Lang, 2011.
  • Smith O. “A hollow image of the person”: objects of memory in the art of Christian Boltanski. In: Smith, O; Collier, P; Elsner, A, ed. Anamnesia: Private and Public Memory in Modern French Culture. Bern: Peter Lang, 2009. In Preparation.

• Edited Books

  • Smith O, ed. . Taylor & Francis, 2019.
  • Smith O, Elsner A, Collier P, ed. Anamnesia: Private and Public Memory in Modern French Culture. Bern: Peter Lang, 2009.

• Editorial

  • Smith O. . Photographies 2019, 12(2), 137-142.

• Online Publications

  • Smith O. Philippe Parreno, 6.00 PM. tate.org.uk, 2014. Available at: https://www.tate.org.uk/art/artworks/parreno-6-00-pm-t12411.
  • Smith O. Dominique Gonzalez-Foerster, Séance de Shadow II (bleu). tate.org.uk, 2014. Available at: https://www.tate.org.uk/art/artworks/gonzalez-foerster-seance-de-shadow-ii-bleu-t12752. In Preparation.

• Reviews

  • Smith O. Hilde van Gelder, Ground Sea: Photography and the Right to Be Reborn. Focales 2023, 7. In Preparation.
  • Smith O. Karl Kusserow (ed.), Picture Ecology: Art and Ecocriticism in Planetary Perspective. Journal 21: Inquiries into Art, History, and the Visual 2022, 3. In Preparation.
  • Smith O. Danièle Méaux, Géo-photographies : une approche renouvelée des territoires. History of Photography 2017, 41. In Preparation.