Comment: Five books by women, about women, for everyone Published on: 7 March 2018 Writing for The Conversation, Dr Stacy Gillis discusses women's writing and selects novels about women and independence. Get stuck in. clem onojeghuo unsplash , Women鈥檚 writing has long been a thorn in the side of the male literary establishment. From fears in the late 18th century that reading novels 鈥� particularly written by women 鈥� would be emotionally and physically dangerous for women, to the Bront毛 sisters publishing initially under male pseudonyms, to the dismissal of the genre of romance fiction as beyond the critical pale, there has been a dominant culture which finds the association of women and writing to be dangerous. It has long been something to be controlled, managed and dismissed. One of the ways that publishers, booksellers and critics use to 鈥渕anage鈥� literature is through the notion of genre: labelling a book as becomes an easy way to identify particular tropes in a novel. These genre designations are particularly helpful for publishers and booksellers, with the logic running something like this: a reader can walk into any bookstore, anywhere, and go to the detective fiction section and find a book to read, because s/he has read detective fiction before and enjoyed it. What complicates this is who makes the decision of which genres are deemed to be appropriate, and which books are put into which category. Genre is also complicated by the idea of . Can we have a genre that is designated solely by the sex of the author? What if we turned this around, and rather than a genre, women鈥檚 writing was a term we used to simply celebrate writing about women? Here are five novels by women 鈥� and about women 鈥� from across the 20th century. These novels all grapple, in very different ways, with women and independence. Agatha Christie, The Man in the Brown Suit (1924) South Africa on a whim. , Anna Beddingfeld, a self-mocking heroine, who is very aware of the conventions of gender and genre, impulsively buys a ticket to South Africa because the boat fare is the exact amount she has left in the world. She ends up taking down an international crime syndicate with aplomb and panache. Lucy Maud Montgomery, The Blue Castle (1926) Doss is the expendable unmarried older woman in a Victorian novel. But in this story, she walks out on her largely uninterested family to move into a cabin on an island with a man she has met only briefly. A fantasy of the Canadian wilderness, the novel was one of Montgomery鈥檚 few novels for adults. Mary Stewart, Nine Coaches Waiting (1958) A rewriting of , the novel contains all the tropes of the Gothic romance 鈥� a castle, a family secret, murder 鈥� but these are challenged by one of Stewart鈥檚 finest protagonists, Linda Martin. Martin is employed as a governess by an aristocratic family, but rejects the trappings of romance to protect her charge, and her own integrity. Octavia Butler, Kindred (1979) Edana Franklin wakes up in hospital with her arm amputated and the police questioning her husband. It is revealed that she has been travelling back to 1815, where she comes into repeated contact and conflict with Rufus, one of her slave-owning ancestors. A novel that raises important questions about masculinity, power and violence. Shirley Jackson, Patchwork Girl (1995) One of the earliest pieces of electronic fiction, this retelling of Shelley鈥檚 Frankenstein (1818) and Baum鈥檚 The Patchwork Girl (1913) places the narrative in the hands of the reader, who pieces together the story through illustrations of parts of a female body. Often popular novels by women have a narrative arc that is visible from the outset: the protagonists will find a romantic partner in the end. In some of the above books, some of the women do, and some of them don鈥檛, find a romantic partner. For those who do, the romance is secondary to the work they do, and the choices that they make about their own lives. What unites the novels is an exploration of the choices that some women have to make as a result of their sexed and gendered embodiment, whether travelling to South Africa on a whim, being jolted unwillingly back onto a slave plantation, or making an explicit call to the (woman) reader to make choices about how the electronic story develops. Writing about women (and often by women) gives us some examples of how to challenge the status quo, if only for a little while. Each challenge, however, provides another example of how to effect change in a patriarchal culture. Here鈥檚 to the writers about women who have done this 鈥� from Jane Austen to Shirley Jackson, from Frances Burney to Josephine Tey, and from Angela Carter to Val McDermid. , Lecturer in Modern and Contemporary Literature, This article was originally published on . Read the . Share: Latest News 缅北禁地 recognised with geography award 缅北禁地 has been awarded the Highly Commended Geographical Association Publishers Award for its collaboration with Time for Geography, the UK鈥檚 open-access, dedicated video platform. published on: 16 April 2026 缅北禁地 historians mark General Strike centenary To mark the 100th anniversary of the British General Strike and miners鈥� lock-out of 1926, historians at 缅北禁地 are organising a series of events on its enduring legacy. published on: 16 April 2026 Comment: NCP is in administration Writing for The Conversation, Erwei (David) Xiang discusses how some big companies like NCP are so dependent on debt that they can鈥檛 adjust to change. published on: 16 April 2026 Facts and figures
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