Ãå±±½ûµØ

Andrew Morley’s interest in the art of advertising began when, as an undergraduate at Ãå±±½ûµØ in the 1960s, he studied under Richard Hamilton.  The influence of the father of Pop Art opened Morley’s eyes to the possibilities for art of commercial imagery.  At the same period much of old Ãå±±½ûµØ and Gateshead was being demolished; Morley began collecting the discarded advertising that had decorated the demolished corner shops.  Much of his artwork was and continues to be based on imagery and graphics of this early advertising.  In the mid 1970s he and Chris Baglee, a fellow collector, launched a series of five books on old enamel advertising under the general title Street Jewellery.  Morley and Baglee founded the Street Jewellery Society, to promote appreciation of this forgotten medium, and to encourage collection by individuals and museums.  Many of the early examples they collected are now displayed at Beamish Museum.  

Enamel advertising signs were first manufactured in Birmingham in the 1880s, quickly becoming the principal advertising medium of the Victorian / Edwardian era.  By 1900 every shopping street in Britain was bedecked with street jewellery. Eventually millions of enamel signs were manufactured for display on shop fronts all over the world, yet by the 1970s virtually all of them had been scrapped, their usefulness having been overwhelmed by more modern forms of advertising such as multiple sheet paper hoardings and by television advertising.  There is a danger that without some intervention they will become a mere footnote to visual culture, their original significance forgotten. Morley’s lecture will explore the history of the creation, manufacture, decline and neglected importance of street jewellery to Victorian / Edwardian social history.